Dr. Blackwell's BLOG

Wednesday, July 29, 2015

Humane Society of the United States President Wayne Pacelle Responds to Murder of Cecil the Lion

Filed under: Animal Welfare — Dr. Christopher Blackwell @ 18:31
Keywords: stock, lion, cecil, poaching, hunting, wildlife     Cecil, the Hwange lion wakes up from a deep sleep

Cecil the lion, pictured above, was widely photographed and somewhat habituated to a non-threatening human presence in Hwange National Park. Photo by Brent Stapelkamp

HSUS President Wayne Paccelli responded today to the disgusting, senseless, and brutal murder of famed Zimbabwean lion Cecil by Minnesota dentist Walter Palmer. His words sum up the horror and unacceptable hunting of animals perfectly:

American Public Roars After It Gets a Glimpse of International Trophy Hunting of Lions

by Wayne Pacelle, HSUS President

July 29th, 2015:

Cecil the lion is dead because Walter Palmer the dentist is a morally deadened human being.

The man traveled clear across the world – from the suburbs of Minneapolis into the pay-to-slay world of Zimbabwe, where dictator Robert Mugabe sells off hunting rights and other natural resources to the highest bidders – for the chance to kill the king of beasts. In this case, the victim was a lion who has been widely photographed and somewhat habituated to a non-threatening human presence in Hwange National Park. The hunt was a “guaranteed kill” arrangement, where Palmer paid about $50,000 to hire professional guides to help him complete the task. The local guides knew exactly what they were doing. In the dark of night, they lure a famed, black-maned lion from an otherwise protected area, with a dead carcass as bait. Palmer then stuck Cecil with an arrow.

Even though he’s used that weapon to kill countless other rare animals all over the globe – from leopards to black bears to Argali sheep – Palmer didn’t deliver a killing shot. He wounded the animal, and because he did it at night, I bet he didn’t have the courage to track the animal at that time. So he waited, while the lion tried to live minute to minute and hour to hour after receiving the stab wound from the arrow. At some point, Walter and the professional guides resumed the chase. It took them nearly two days to find him, and then they apparently shot him with a firearm. The killers then removed a radio collar nestled around his neck – because Cecil was also the object of a study by Oxford researchers. Some reports say they tried to disable the signal from the collar, unsuccessfully. The team took the customary pictures of the westerner guy standing atop a beautiful, muscled animal, and then they decapitated and skinned him, as keepsakes for Palmer’s global crossing in order to conduct a pointless killing.

The lion is one of Safari Club International’s Africa Big Five, along with elephants, rhinos, leopards, and Cape buffalo, and the idea of killing each of them motivates thousands of wealthy people to do it. It’s one of more than 30 hunting achievement and “inner circle” awards you can get if you become a member of Safari Club – including Cats of the World, Bears of the World, and Antlered Game of North America. If you win all of the awards, and there are plenty people who do, you have to shoot more than 320 different species and subspecies of large animals. In the process, you spend millions of dollars, in addition to spilling an awful lot of blood and spreading a lot of death.

Partly because of the dramatic decline in lion populations, and also to stop heartless and selfish people like Palmer from meting out so much pain and suffering, The HSUS and HSI filed a petition four years ago to protect lions under the terms of the U.S. Endangered Species Act. Last October, the U.S. Fish and Wildlife Service, to its credit, proposed a rule to list the lions as threatened.

The United States is the world’s largest importer of African lion parts as hunting trophies and for commercial purposes. Between 1999 and 2013, the United States imported about 5,763 wild-source lions just for hunting trophy purposes; this averages to 378 wild-source lions per year. Worse, this number has increased in recent years. That’s a lot of Walter Palmers doing ugly things.

The Oxford University study Cecil was part of was looking into the impact of sports hunting on lions living in the safari area surrounding the national park. The research found that 34 of 62 tagged lions died during the study period. Of these, 24 were shot by sport hunters.

When we think of Bengal or Siberian tigers, we think of big cats nearing extinction. We should think the same way about lions, since their populations have been plummeting. They are in danger of extinction in the foreseeable future.

For most of us, when we learn they are in crisis, we want to help — to protect them from harm, because we empathize with their plight.

But for one subculture in the U.S., when wildlife are rare, that means they want to rush in and kill them precisely because they can do something that few others can.  It’s like the rush of trophy hunters to Canada to shoot polar bears when the United States announced it planned to list them. “Let me shoot a polar bear before they are all gone!” They want to distinguish themselves from others who live in the world of competitive hunting.

Sadly, Cecil’s story is not unique – American hunters kill hundreds of African lions each year and are contributing to the steady decline of the species.  Today we sent a letter to the U.S. Fish and Wildlife Service, which recently took steps to protect chimpanzees and African elephants, urging the agency to make final its regulation to upgrade the legal status of lions, to restrict people from trekking to Africa and bringing back their parts for no good reason. Not for food.  For vanity. For ego gratification. And because they are morally deadened.

Tuesday, July 28, 2015

UCF’s Ph.D. Program in Public Affairs: An Update

Filed under: Health and Social Policy — Dr. Christopher Blackwell @ 01:04

Dr. Robyne Stevenson, the Interim Director for UCF’s Doctor of Philosophy (Ph.D.) Program in Public Affairs (of which, I am a proud Alum), released a program update last week. Take a look at the changes, happenings, and updates to the program:

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Begun in 1998, the Doctoral Program in Public Affairs is entering a significant new phase. While we celebrated graduating over 15 new doctoral students during the previous academic year, we are also refocusing our mission and refreshing our curriculum. Complementing the college’s mission of Strengthening Communities. Changing Lives., PAF has adopted a community problem-solving focus. While this can mean building knowledge in our local area communities, it also means building research for communities of the world.

New partnerships are being established with local organizations such as the Florida Hospital Institute for Translational Research and the Orlando VA hospital. These partnerships will enable our doctoral students to have a presence in the community to conduct meaningful research. Also, students will now complete a community practicum beginning in fall 2016. Through this practicum, our students will apply their research skills to real-time issues in the field to address community needs while honing their skills. Alumni are invited to host practicum students for a semester to take on an issue in an organization, agency or community. Alumni involvement will be instrumental in the success of this part of the PAF program.

Additionally, new faculty will complete the implementation of an updated and refocused curriculum begun in 2014. The following four new joint faculty will begin this fall and each bring a diverse background to the program:

  • Thomas Bryer from the UCF School of Public Administration will focus on nonprofits, volunteerism and social media aspects of community problem solving.
  • Kim Anderson from University of Missouri will bring her social work expertise in working with resilience and family violence.
  • Su-I Hou from the University of Georgia will bring a public and community health perspective with expertise in HIV and cancer patient behaviors in communities in the U.S. and Taiwan.
  • Matt Nobles from Sam Houston State University in Texas brings a GIS perspective to understanding violence and interpersonal crimes in communities.

This fall, we will welcome 15 new students! Learn more about one of our newest students, Atalie Ashley West.

We invite you to come meet the new students and faculty at our PAF Welcome Back Knight on Thursday, Aug. 20. More details on this complimentary, evening event are forthcoming.

We look forward to staying connected and hope you are enjoying your summer!

Best Regards,

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Thursday, July 16, 2015

Theater Review: AIDA in Concert

Filed under: Performing Arts — Dr. Christopher Blackwell @ 01:20

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An absolutely gorgeous and accomplished production of the Disney pop-rock musical AIDA is taking the stage at the Walt Disney Theater at the Doctor Phillips Center for the Performing Arts. Encore! Productions, the team behind this mounting of the show, has really hit one out of the park! Now, to be honest, I might be a little biased here because I truly believe that AIDA is Disney’s ultimate stage show. With screen-to-stage adaptations of movies like The Lion King, The Little Mermaid, Newsies, and Aladdin, Disney Theatricals is a major force in modern musical theater. AIDA, which is set to an amazing score by Elton John and Tim Rice, is not based on a Disney movie. It is also much more adult-themed than Disney’s other theatrical outings. That could be a reason why the show, which although enjoyed a long and healthy Broadway run, has been usurped by most of Disney’s other musicals.

The backdrop of AIDA‘s story centers on the war raging between Egypt and the small African nation of Nubia. Using Nubia’s captured people as slaves, Egypt is slowly building an empire under the command of powerful military leader Radames, who is betrothed to Princess Amneris. On his latest mission, Radames captured one female prisoner who is definitely unlike the rest. Unbeknownst to him, this prisoner is Nubia’s Princess, Aida. Aida serves as a mirror to help Radames reflect on his future; and in the course of their growing relationship, they fall in love under increasingly tumultuous circumstances.

This production of the show is billed as AIDA: In Concert. And while the traditional aspects of a concert production of a musical remain in place (there is a large and full orchestra providing the music and a full choir to lend powerful backing vocals throughout the show), there is so much more here. The cast is fully costumed, there are minor yet impressive sets and well-thought aspects of staging, and the entire show is acted out rather than script-read. The overall effect is truly phenomenal.  The orchestrations are rich and lush, the backing choir is perfectly utilized, and all of the performers deliver truly knock-out performances. The main leads– Hannah Berry Matthews (Amneris), Natale Pirrotta (Radames), and UCF Alum Jerusha Cavazos (Aida) would all fit as perfect leads to any musical on Broadway.

And the more minor roles– played by Daniel Rye (Mereb) and Andrew Meidenbaurer (Zoser) are equally as impressive. This production of AIDA is truly spectacular! It could be translated from the stage at Doctor Phillips to NYC’s famed Lincoln Center and actually eclipse the quality of their recent concert version productions of TITANICRagtime, and Parade! The quality is just that good and comes at the tail-end of Orlando’s Broadway season. Interestingly, the quality of AIDA surpasses all of the shows that made its way to Orlando as part of this year’s series. It’s surprising the show will only stay in Orlando for just two days. Perhaps even more shocking, tickets for tomorrow’s performance remain available and can be purchased here: http://www.drphillipscenter.org/shows-and-events/Shows-Events/Theater/20791-encore-cast-performing-arts-aida.stml. GO SEE AIDA! You’ll be grateful you did!

Sunday, June 21, 2015

Intimate Production of TITANIC Ends Toronto Run

Filed under: Performing Arts — Dr. Christopher Blackwell @ 03:10

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The intimate and scaled-down chamber version of the Tony-Award winning musical TITANIC, ends its run at the Princess of Wales Theater in Toronto, Canada on Sunday. The show was well-received by critics and will embark on a national US tour in 2016. My review of the phenomenal production can be found here: Theater Review: TITANIC: The Musical, Toronto. Playbill’s  Adam Hetrick reports on the closing of TITANIC:

An intimate revival of Maury Yeston and Peter Stone‘s Tony Award-winning musical Titanic, which was first seen in an acclaimed London staging, ends its Toronto run June 21 at the Princess of Wales Theatre.

U.K. director Thom Southerland directs the revival that is inspired by an acclaimed chamber production of Titanic that played London’s Southwark Playhouse in 2013. Toronto previews began May 19.

The revival had at one point been announced for Broadway following its Toronto bow, but the production was postponed. A future Broadway life for the production has not been announced; however, a national tour will commence during the 2015-16 season. A Los Angeles touring engagement was revealed for 2016.

The musical that tells the story of the passengers of the doomed luxury liner has a Tony-winning score by Yeston (Grand Hotel, Nine) and a Tony-winning book by the late Stone (The Will Rogers Follies, 1776). It opened on Broadway April 23, 1997.

Opera tenor Ben Heppner starred as Isidor Straus, the co-owner of Macy’s department store. His character performs the dramatic Act Two duet “Still.” Heppner also inhabits three other roles in the chamber production.

The cast also included Phillip Arran, Matt Beveridge, Greg Castiglioni, Scarlett Courtney, Matthew Crowe, Gary Davis, Jonathan David Dudley, Grace Eccle, Scott Garnham, Celia Graham, Simon Green, Chris Holland, James Hume, Alex Lodge, Claire Marlowe, Shane McDaid, Nadim Naaman, Beth Peach-Robinson, Philip Rham, Victoria Serra, Rachel Spurrell, Judith Street, Samuel J. Weir and Jack Wilcox.

 

Titanic won 1997 Tony Awards for Best Book of a Musical (Stone), Best Musical, Best Orchestrations (Jonathan Tunick), Best Score (Yeston) and Best Scenic Design (Stewart Laing).

Below, watch some video highlights from the show, courtesy of playbill.com:

 

Saturday, June 13, 2015

A Visit to the Upstairs Lounge Memorial Site

Filed under: GLBT Social Issues and Civil Rights,Tragic News and Events — Dr. Christopher Blackwell @ 23:06

I was able to break away from the AANP Conference to visit a very historical site of the GLBT civil rights movement in the heart of New Orleans’ French Quarter. On June 24, 1973, an arsonist set fire to a packed gay bar known as the Upstairs Lounge, which at the time was one of New Orleans’ only social outlets for its GLBT residents. 31 men and 1 woman (who was at the bar with her two gay sons, who also lost their lives) horrifically burned to their deaths trying to escape from the bar, which had an endless number of draperies, wooden furniture, and other materials that served as accelerants which made that attempt nearly impossible.

The photos are from the site today, which has remained essentially unused since the tragedy. Scars from the fire remain visible under the building’s paint. The horrendous photo of the aftermath serves only for comparison. One victim, Reverend Bill Larson of the New Orleans parish of the Metropolitan Community Church, can be seen clinging to the window in his failed attempt to flee. Larson had just performed a service for the bar’s patrons a few hours before the fire (being gay, the men were otherwise shunned from any of New Orleans’ churches and had to hold their worship services at the Upstairs Lounge).

The perpetrator was never brought to justice. And the event was underreported and even mocked by the media because of the victims’ sexual orientations. Consequently, it served as a catalyst in awakening New Orleans’ gay citizens, who had reached their pinnacle of tolerance of the hatred and discrimination being shown against them. A great book about the tragedy is Let The Faggots Burn (2011) by Johnny Townsend. The title comes from a fireman who made that shocking quote when a horrified onlooker realized their ladders weren’t long enough to reach the bars’ windows and that they weren’t going to be able bring any of the victims to safety. Below are photos from the site, taken by myself today:

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The side exterior of the site of the Upstairs Lounge today. Scars from the fire remain visible under the building’s painted surface.

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Compare the first photo to this horrendous photo of the aftermath, which serves only for comparison. One victim, Reverend Bill Larson of the New Orleans parish of the Metropolitan Community Church, can be seen clinging to the middle of the second window in his failed attempt to flee. Larson had just performed a service for the bar’s patrons a few hours before the fire (being gay, the men were otherwise shunned from any of New Orleans’ churches and had to hold their worship services at the Upstairs Lounge).

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A shot of the front exterior of the site of the Upstairs Lounge today. Scars from the fire remain visible under the building’s painted surface

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The entrance door to the Upstairs Lounge today. Patrons would ring a doorbell for access, which would be granted by the bartender upstairs. On the night of the fire, the arsonist lit the wooden stairs of the stairwell on fire with an accelerant and rang the doorbell incessantly. Thinking it was a taxi driver picking up a patron, the door was opened. The resulting oxygen drift that entered the bar caused an explosion which quickly engulfed the entire bar.

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The Upstairs Lounge memorial plaque, which is set in the sidewalk directly in-front of the entrance to what once was the Upstairs Lounge. The names of the victims along with three unidentified males are etched into the plaque.

Friday, June 12, 2015

Dr. Blackwell Presents at AANP Conference

Filed under: Nursing Science — Dr. Christopher Blackwell @ 01:10

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Today, I was able to present my original work, “Pre-Exposure Prophylaxis: An Emerging Clinical Approach to Preventing HIV in High-Risk Adults” at the 2015 Annual Conference of the American Association of Nurse Practitioners in New Orleans, LA. My presentation, part of a workshop dedicated solely to the topic of infectious diseases at the conference, was based on my 2014 publication of a similar title appearing in The Nurse Practitioner: The American Journal of Primary Health Care and can be found here.

Friday, May 22, 2015

Theater Review: TITANIC: The Musical, Toronto

Filed under: Performing Arts — Dr. Christopher Blackwell @ 03:29

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Sometimes, perhaps rarer than usual, theater grabs a hold of you and makes a truly indelible impression. For me, that occurrence came with the original 1997 Broadway production of TITANIC. It was the first show I had ever seen on the Great White Way; and it has forever lived in my heart as one of my absolute most favorite life experiences The show, which many believed was doomed from the start (after all, who would want to watch a musical about the famed ocean liner that’s fate is well, pretty well darned known?), became a surprise hit. Winning 5 Tony Awards, TITANIC proved it was the Unsinkable Molly Brown, taking home statues for Best Orchestrations, Best Score, Best Scenic Design, Best Book, and the coveted prize for Best Musical. The show ran for almost two years at the Lunt Fontanne Theater. And it was a juggernaut for actors who would go on to become major Broadway players. Victoria Clark, Michael Cerveris, and Brian D’Arcy James all had main roles.

But as the popularity of TITANIC the film started to wind down, the musical shuttered on March 21, 1999. However, the show has been considered by many to be a major contribution to the repertoire of American musical theater; and numerous reincarnations of the show have lived on–including a national tour, productions across the globe, and most recently at the Princess of Wales Theatre in Toronto, Canada. The Toronto production, which opened May 19th, is based on an acclaimed chamber version of the show which ran in London’s Off-West End Southwark Playhouse in 2013. That show was so well received, there were plans to run it in Toronto in 2014 and bring it back to Broadway in 2015. Unfortunately, producers were unable to find a house for the show; and plans were placed on pause.

To say that TITANIC lives alive and well in its new Canadian production fails to give it justice. This production, which stars many of the same actors who played in London’s chamber version of the show back in 2013, succeeds on every level. The ensemble is so absolutely incredible, it’s difficult to put into words just how truly remarkable they are. Not one actor, not even the famous opera tenor Ben Heppner (Isidor Strauss), who headlines the show, outshines another. To say that the show succeeds based on the talent of its cast is an understatement. It has been quite some time since I’ve seen a show that had such a strong ensemble that it makes it difficult to laud individual performers. But this production of TITANIC is that show!

Not only are the actors truly wonderful, but the sets and costume design are both superior. David Woodhead had a lot to live up to in the original Tony-Award winning design of Stewart Laing, who won the Tony for a set that did the unthinkable–SANK! But he succeeds. No–the set doesn’t sink during the second act (although it does do something similar in the exciting finale); but the set, mainly consisting of multi-level exterior and interior settings of the ship, brings an intimacy of the show that has never been seen before. The cast seems to almost hover into the audience, creating the sense of an experience rather than just a straight-forward piece of theater. Just as commendable as the actors and sets, Maury Yeston’s score soars!

When I first read the program, I was shocked and saddened to see that the orchestra only consisted of 6 musicians. But once the show began, the richness of that amazing score shattered the walls of the Princess of Wales Theatre! Ian Weinberger (orchestrations), Mark Aspinall (musical direction), and Gareth Owen (sound design) demonstrate that although a large and grand orchestra is traditionally considered optimal, a smaller set of musicians playing a well-crafted version of the score can make just as strong an impact. And while I missed the presence of woodwinds and brass, the arrangement of heavy strings covering the major solos contributed heavily to the more nautical feel of the show.

There are also some very smart, subtle, and intelligent changes to the book that bolster the quality and flow of the musical considerably. Some lines, delivered by different characters in this production compared to the original, make more sense. The final scene of the original show, which I truly believe was the best final scene ever written for the theater, is actually outdone here! It has been augmented to include a homage to those who died on the ship; but the breathtaking reunion of the living and the dead remains intact. But thanks to the changes made, the impact is even greater in this revival.

This production of TITANIC truly deserves a life on Broadway. I am really hoping that somehow, that happens! The quality of what is on-stage in Toronto right now is second to nothing currently running in NYC. And while Broadway is ever-increasingly cutthroat and ever so reliant on the rehashing of cartoon movies and movie musicals, TITANIC could be a real welcomed breath of fresh air. Transferring this show to Broadway is something that needs to happen. Just as Rex Reed rightfully identified the original production as a “genuine addition to the American Musical Theater,” this revival will take its place among the recent revivals like Cabaret and the short-lived Side Show that just may outdo their predecessors. TITANIC plays at the Princess of Wales Theatre through June 21st. For tickets, visit the show’s official Web site @: http://www.mirvish.com/shows/titanicthemusical.

Thursday, April 16, 2015

Get in This Van!

Filed under: Comedic Relief — Dr. Christopher Blackwell @ 23:49

This is one van you’ll want to jump in and take a ride! A group of friends filmed this adorable lip dub of “I Really Like You” by Carly Rae Jepsen. Get ready to dance and sing along with these fun buddies!

Wednesday, April 15, 2015

Sail On! Sail On! Great Ship… TITANIC!

Filed under: Performing Arts,Popular Culture — Dr. Christopher Blackwell @ 02:36

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103 years ago today, TITANIC, the ship of dreams, struck an iceberg and sunk to the icy depths of the North Atlantic. Over 1,500 souls were lost when TITANIC sank. The sheer number of deaths made it one of the most deadliest peacetime maritime disasters in modern history. And the story of the tragedy has been told through just about every medium of entertainment imaginable. Perhaps one of the most unique means by which the story of TITANIC has ever been conveyed came in 1997, when a musical based on the doomed ship’s maiden voyage opened on Broadway.

What most would consider to be an event incapable of being recreated to music and acted out on a stage instead went on to become a major award-winning hit show that ran for close to 3 years. TITANIC: A New Musical swept the Tony Awards, taking home the coveted prize for Best Musical in addition to four other awards for Best Book, Best Orchestrations, Best Scenic Design, and Best Original Score. The show has been produced internationally countless times; and this Summer, it will play a pre-Broadway revival at the Princess Wales Theater in Toronto, Canada. Below, watch the opening (and finale) of the breath-taking concert version staged at Lincoln Center in 2013. And Sail On… Sail On… Great Ship… TITANIC!

Remembering the Dogs of the TITANIC

Filed under: Popular Culture — Dr. Christopher Blackwell @ 02:14

CptSmith The Dogington Post published a GREAT article written by Brandy Arnold about the dogs that survived (and perished) aboard the TITANIC, which sunk 103 years ago today. It’s worth a read and has been reposted here courtesy of The Dogington Post:

April 15th will mark 103 years after the famed “unsinkable ship” struck an iceberg in the north Atlantic, sinking on its maiden voyage to America. But, did you know there were at least 12 dogs aboard the Titanic? It is suspected that many more dogs were on board that day, but because they were listed as cargo in the ship’s records, most details have been lost. It has been said that Titanic had excellent kennel facilities, even planning a dog show for April 15th, the very day that the ship went down. While the world is remembering the tragic events of April 15th, we’re taking a moment to honor and remember the dogs of the Titanic. As reported by Yahoo! News, of the 12 confirmed dogs on the Titanic, only 3 survived the shipwreck – all of which were small dogs, 2 Pomeranian and 1 Pekingese, easily hidden inside a blanket or coat and carried into the limited space on lifeboats.

One Pomeranian named Lady, bought by Miss Margaret Hays while in Paris, shared the cabin with and was wrapped in a blanket by Miss Hays when the order was given to evacuate. The Rothschilds owned the other Pomeranian, and the Pekingese, named Sun Yat-Sen, was brought on board by the Harpers (of the N.Y. publishing firm, Harper & Row).

The ship’s captain, Capt. Smith, has been seen photographed on board Titanic with his dog, a large Russian Wolfhound named Ben. However, Ben only spent one night on the ship, before it left the dock, and was returned home to Capt. Smith’s daughter. In a particularly touching account, one passenger, 50-year old Ann Elizabeth Isham, was said to have visited her Great Dane in the ship’s kennels daily. At one point, Isham was seated in a life boat, but when told that her dog was too large to join her, she exited the boat. Her body was found several days later, clutching onto her dog in the icy waters.

Only first class passengers were permitted to bring dogs on board the ship. A few of those passengers were, Helen Bishop and her Toy Poodle named Frou-Frou, millionaire John Jacob Astor and his Airedale named Kitty, Robert Daniel and his French Bulldog, Gamin de Pycombe, William Carter and his family brought along two dogs – a King Charles Spaniel and an Airedale, Harry Anderson was joined by his Chow-Chow (aptly named Chow-Chow), and many other 4-legged passengers who remain unknown, including a Fox Terrier named simply, Dog. Helen Bishop survived the Titanic, later reporting that her dog, Frou-Frou latched onto her dress with his teeth when she left him in their cabin. She reportedly said, “The loss of my little dog hurt me very much. I will never forget how he dragged on my clothes. He so wanted to accompany me.”

In a fortunate turn of events, one passenger, Charles Moore of Washington, DC, had planned to transport up to 100 English Foxhounds via the Titanic, but made arrangements on a different vessel at the last minute. Two other dogs avoided disaster when they disembarked with their owners at Cherbourg, the ship’s first stop after leaving Southampton. It’s hard to imagine being any part of this terrible tragedy, even harder to imagine having to make the decision to leave your dog when the ship began to sink… Would you have been able to do it?

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