
I am happy to report that 2 articles I authored based on a study I completed several months ago looking at high-risk sexual activity among men who have sex with men (MSM) have been accepted for publication. The first, “Requests for Safer Sex Among Men Who Have Sex with Men Using the Internet to Meet Sexual Partners: Implications for Healthcare Providers” has been accepted for publication in the Journal of Lesbian, Gay, Bisexual, and Transgender Health Research. The article focuses on safer-sex requests by MSM using a popular Internet sexual networking site to find sex partners and examines specific sex behavior requests which places them at lower risk for HIV and sexually-transmited infections (STIs). The second article, “The Relationship Between Population Size, Requests for Bareback Sex, and HIV Serostatus Among Men Who Have Sex With Men Using the Internet to Meet Sexual Partners” was accepted for publication in the Journal of Human Behavior in the Social Environment. The article uses data from the same sample and focuses on differences in the rates of unsafe sex requests in-relation to the population size of specific geographic regions. Both articles can be viewed under “Research.” The publication dates, volume, and issue numbers for each are pending.


American Idiot, the musical stage production composed by Green Day featuring songs from the band’s smash hit album American Idiot and this year’s release 21st Century Breakdown opens today in San Francisco. Per Playbill: Johnny, Extraordinary Girl, Whatsername and St. Jimmy characters from neo-punk group Green Day’s 2004 American Idiot album officially become part of the American musical theatre landscape Sept. 4 with the first preview of a new musical of the same name. Produced by not-for-profit Berkeley Repertory Theatre in Green Day’s Bay Area stomping ground, American Idiot stars Tony Award-winning actor John Gallagher, Jr., who reunites with Michael Mayer, his Tony-winning director from Spring Awakening. The project, co-conceived by Mayer and Green Day frontman Billie Joe Armstrong, will play the Rep to Nov. 1 (which represents a recently announced three-week extension). Opening night is Sept. 16 at the Rep’s Roda Theatre.
Last night marked the final performance of Madonna’s Sticky & Sweet Tour, which concluded in Tel Aviv, Israel. Not only was this tour the highest-grossing tour for any solo artist in history, but the Material Girl also destroyed the record books in foreign markets as well. After playing 85 shows since its launch in August 2008, Madonnas Sticky & Sweet Tour has drawn more than 3.5 million fans in 32 countries and has grossed $408 million, it was announced today by Live Nation, the tours global producer. Sticky & Sweet is also the second highest grossing tour of all time. Madonna set an attendance record for the biggest crowds in history in Zurich, Switzerland, where she drew the largest audience ever assembled for a show in that country (72,000). Her Gothenburg, Sweden show, seen by 119,000 fans, broke the record for highest grossing multiple shows in the countrys history. In Helsinki, Finland, Sticky & Sweet sold more than 85,000 tickets, making it the biggest single show by an artist in history for all of Scandinavia. Other highlights on the tour included stops in Buenos Aires, Argentina (256,000), Santiago, Chile (146,000), Sao Paulo, Brazil (203,000), Tallinn, Estonia (72,000), Warsaw, Poland (79,000), Bucharest, Romania (69,000), and Sofia, Bulgaria (54,000). With Sticky & Sweet Madonna has proven yet again that there is virtually no limit to what she can accomplish both creatively and commercially, said Arthur Fogel, Live Nations Chairman of Global Music and CEO of Global Touring. Sticky & Sweet broke Madonnas previous record of most successful tour by a solo artist with her 2006 Confessions Tour, which grossed $194 million.